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May
2006:
SPOTLIGHT ON... VIETNAM
Welcome
to My Room
Two events around Y2K mark the genesis of Vietnam. First, Michael
William, at the time of Grand
Mal and The Witches, and formerly of Texas underground
bands like The Primadonnas
(he was Julius Seizure), Tune in Tokyo (not the Dallas one), 100
Watt Clock, Carbomb, and Minority, started spending a lot of time
in his room mustering up the courage to write and sing his own songs.
Secondly, Joshua Garrett, who also did time at Michael’s alma
mater, the University of Texas, began coming up from Philadelphia
to jam with Mike.
Michael
was also playing with another UT friend, the Fiery
Furnaces’ Eleanor Friedberger, and occasionally
her brother Matt before they officially had a band. When the Furnaces
set up their first gig at Enid’s in Greenpoint in the Summer
of 2000, Eleanor encouraged Michael to also break the barrier and
play some of his songs publicly. He immediately assembled a few
friends to back him up – a motley crew that included a member
of their current management team, a cannabis aficionado, yours truly,
and, most intriguingly, a clean-cut saxophone-blowing new media
executive who drove to practice on a motorcycle with an eight-ball,
a half-full bottle of Makers Mark, and an ounce of weed on his person
- who could regularly be found on the phone ordering flowers for
his probation officer. Michael came up with the name High Society
in haste. As the band parted a Cheech and Chong-worthy smoke curtain
to fall out of the broken-down van – the folks outside were
no longer uncertain as to whether High Society was a group of aristocrats
or merely a bad pun. The Enid’s show is historically important
because it was the first in which either Mike or Eleanor sang their
songs in public – they filled the place and got quite a response
for a first go-round. Both the Fiery Furnaces and Vietnam continue
to perform some of the songs from that first show to this day.
That
same summer, Garrett, then a student at Temple University, began
driving up - first on weekends, and then for weeks at a time. Formerly
a bassist, Garrett took up the guitar. He and Michael became inseparable,
staying up all night playing guitars, sleeping all day, and scheming
to start a band. By New Years 2001 the two had returned to the town
where they initially met – Austin, TX. In addition to the
easy job leads and quantity of amazing musicians in their circle,
the main reason Vietnam made the leap was to save money to begin
recording and touring – something they found impossible in
New York.
go
back to p. 1, introduction |
go forward to p. 3, austin boogie
©
New York Night Train , 2006 |
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